Light/Breezes

Light/Breezes
SUNRISE AT DEATH VALLEY-Photo by Tom Cochrun

Monday, November 14, 2011

CLINT EASTWOOD AS HISTORIAN

REEL THOUGHTS
EASTWOOD HAMMERS STONE
J. EDGAR IS MASTERFULLY DONE
Director Clint Eastwood's turn at
contemporary history is a superb film and by most
standards a fair and accurate portrayal of the FBI's late director J. Edgar Hoover, one of America's controversial
public figures. Eastwood handles the history with class and avoids the kind of distortion and overblown perspective
we have come to expect of other film history bio pics.
None of that from Clint Eastwood who has shown
time and time again he is one of the most skilled
directors in film history. 
People familiar with the Hoover story, or the Hoover and FBI histories will commend Eastwood for his even handedness, authenticity and class.
There are many who have paid close attention to the Hoover chapter of Bureau history and the story is fully told in many books and histories. Eastwood does not
reveal anything not already in public attention, but he
plumbs the personality, emotion, psychology and story line of Hoover and the early FBI in ways that brings the material
to a vivid accounting. 
Dustin Lance Black's screenplay is as good as it can get.
He had a huge story and well documented life to whittle and render and he delivered a compelling script for Eastwood.
Black deserves special recognition, especially from historians.
Hoover was complex and so is the story and it is superbly
told with attention to detail, historical elements,
and the pathos of the time and personality.
Birthing a federal investigative agency was not a simple task, trying to protect a democratic republic from threat while preserving liberties is a constant battle, so is the power and money game in Washington and the 
Hoover story as told by Eastwood beautifully displays
those pushes and shoves.  Hoover's insistence on 
professionalism and his own ego feeding are well told.
Hoover's relationship with his mother may be where
Eastwood begins to wander into interpretation, though
it is plausible by some accounts already told.
The same is true of the persistent rumors of Hoover's
relationship with his long time assistant and frequent companion Clyde Tolson. 
I've covered the FBI, have friends who are former agents, some from the Hoover era and some from the modern bureau, I have read and listened to many theories
about that relationship.  In that context I think
Eastwood's handling of that part of the story is
pure genius.  I came away thinking that in many ways
Tolson was a kind of "rudder" of Hoover and for
the greater good of the FBI.  I don't want to say
more, because your own viewing and evaluation on this part of the story-line is important.
As a period piece it is also brilliant.  
DiCaprio should get an Academy nomination for his 
work.  Inspired and simply brilliant.
Judy Dench as Hoover's mother is one of those
haunting performances that you will long remember.
Naomi Watts as Helen Gandy and Armie Hammer as 
Clyde Tolson are superb. Equally brilliant are 
Sian Grigg who did DiCaprio's make up and prosthetic effects and Alessandro Bertolazzi who did the same for
the aging Naomi Watts.  You can not appreciate how
brilliant their work, until you see it.
Tom Stern's cinematography should also win awards.
I marvel at how each Eastwood film gets better at 
mastering the art.  This film will be on 
all time best lists.  There is so much, so good about
this film, and most of it just stays out of the way and/or empowers the story that some may not fully appreciate just how exquisite is the work. 
 This is an extraordinarily intelligent and subtle film.
It tells part of the modern American story and will
no doubt reside as popular memory.  By contrast
I think of some of the work Oliver Stone
 has inflicted upon us.

JFK by Stone may have been the most egregious bastardizing of history, but Stone has substituted fantasy or conspiracy as fact in other efforts.  He has also done
George W. Bush, Larry Flynt, Nixon and the McMartin child molestation trials in LA among others.
Eastwood on the other hand, brilliantly interprets reality.

If more American History could be so told!
And by the way Clint Eastwood even wrote the music.
Maestro indeed!
See you down the trail.

Saturday, November 12, 2011

THE WEEKENDER :) COOL

JAZZ MEMORIES
AND
A TALENTED BRO
Last weeks posting of Dave Brubeck's Take Five
and attendant memories, brought one more from the back
of the brain.
I wish I could remember his name, but I am grateful
to an upperclassman  who lived on my freshman
dorm floor. He walked with a brace, the result of
polio, so he had a single room near an exit. With the
extra space he had converted it to a "pad" complete
with shelves, a chair, lamps and a stereo system.
The room was full of jazz albums and on Friday evenings and Saturday afternoons, when most of us were doing the kind of things college freshmen did, he had his door open and the jazz was wailing.  There were no complaints, though he always made sure he was not interrupting study.
Not a likely event!
A few of us would gather into his room and he would
pick tunes and give us a little tutorial.  One of his
favorites, and already one of mine was the
piece the THE WEEKENDER :) offers for your
Saturday Groove.
  and one more cool thing
About a year ago a group of fraternity brothers who
have stayed in touch, re-connected with Steve
who was a married senior our freshman year.
Steve Clippinger has had a marvelous
career as an artist.  Part of the joy 
in getting to know Steve is to see
his incredible body of work.
Here's a WEEKENDER :) bonus
See you down the trail.

Friday, November 11, 2011

11/11/11 & THE BIRTHDAY RAIN

A CAUSE FOR CHEER
 While some were searching for meaning, or perhaps
meaningful ways to observe 11:11 on 11/11/11,
the Friday Lunch Flash Mob was otherwise concerned.
The rain, welcomed indeed, but furious none the less,
was likely to drench the weekly gathering below 
the Castle.  Serious stuff, because two birthdays
were to be observed. Up steps Ruth,
the matron saint of our salon society. We'll gather
at her place, bring in food  and celebrate. 
And so 11/11/11 was saved with good cheer.
 The Chocolate Texas Sheet Cake was,
if you will, the icing on the lunch.
 Outside the low pressure system and storm front which
had confounded forecasters, delivered a great soaking
while the sister and brotherhood warmed the day.

 In true Cambrian fashion, Ruth rounded up vocalist Jerry,
to serenade the birthday kids and guests.
Little did he know as he sipped his coffee an hour earlier,
that he would be pressed into action.
But so in goes in this village by the sea.
 So, let it rain. This mob can mobilize its flash


  and flash.
 Still be resolved however, how much does
this storm leave behind?  A Green Thanksgiving
hangs in the balance.
Stay tuned.
Happy 11/11/11.
And to be sure, to those who have served
a heart felt thank you veteran!
We remember those who have gone.
See you down the trail.

Thursday, November 10, 2011

LIBERTY'S LIGHT AND A LEGEND

A LION FALLS


The entire affair is sad.
A terrible allegation followed by apparent inaction
leads inevitably to a bad ending.
The board of trustees has acted now, but where 
were they before now?
Paterno was a legend. This is not how it should end.
Everyone looses here.
Responsibility, accountability and honor 
are more important than a game.


FREEDOM AND THE MUSE
PUBLISHED IN PUNCHNELS
Link here to Punchels  to read
Liberty's Light-An American Tribulation,
a new poem inspired by the 
10th anniversary of the Patriot Act
and the ongoing Occupy Wall Street movement.
CHEERS TO FREEDOM
UNFETTERED.
CHEERS TO PUNCHNELS 
AND TO YOU!
See you down the trail.

Wednesday, November 9, 2011

TURKEYS-JOURNALISTS AND OTHERWISE & WHAT A SHOT

FIRST, THE AMAZING IMAGE
Unless you have a powerful scope, you probably
missed the fly by of the asteroid 2005 YU55. 
Thanks to NASA's Jet Propulsion Lab here is a short clip.
NOW ABOUT IDIOTS POSING AS JOURNALISTS
SPJ, the Society of Professional Journalists
drew attention when Herman Cain accused reporters
of violating the Journalist's Code.
You can link here to the SPJ blog by Kevin Smith,
SPJ President and Chairman of the Ethics Committee.
In his excellent analysis, Smith provides context and cites two recent examples of national journalists being unaware of the Code of Ethics.
Example 1
Washington Post columnist Ruth Marcus went after Cain, defending the paper but admitting she wasn’t familiar with the SPJ Code of Ethics. She wrote: “I suffer from the instinctive journalistic aversion to official codes of conduct.”
Example 2
Later Monday, MSNBC’s Andrea Mitchell showed her relative lack of ethical knowledgeby snarking to Politico reporter Jonathan Martin, the reporter who broke the original story, “I assume you’ve read the journalistic code of conduct, whatever that is.” 
Well,
the Mitchell snarking and the Marcus arrogance of destitute ignorance make them poster children of the WORST OF AMERICAN JOURNALISM.  I didn't know they were both
so empty headed, ungrounded and intellectually lazy.
Martin's snide response to Mitchell was also stupid and a disservice to real journalists.
I spent several decades in journalism and the SPJ Code of 
Ethics was something that guided my shops from when
I was a street reporter to my years as a news executive.
True journalists, serious journalists know about and 
abide by the code.  Fools, egotists, gas bags, snark queens,
and posers apparently do not.
SO, THIS IS DEDICATED TO
RUTH MARCUS, ANDREA MITCHELL AND
JONATHAN MARTIN--


THE TURKEY TROT
Perhaps they are not students of irony,
but as we near Thanksgiving, we can count on a 
parade of wild turkeys making their daily
migration across the ridge top.
We noticed that Mr White, the albino, is back.
Like some people, they are not very intelligent and
are ignorant of honor and codes of conduct and leave us
with messes to be cleaned up.
See you down the trail.  Watch your step
especially if Marcus, Mitchell and Martin are around.


Tuesday, November 8, 2011

MONTEBELLO UPDATE, SUNNY NEWS & FELINE YIN AND YANG

COASTAL RELIEF
It has been a couple of weeks since scientists delivered 
good news, and the real sense of relief has just
kicked in. The Montebello poses no environmental
threat to the central coast. As I noted in the post
linked above, extensive deep water diving determined
the tanker, sunk by a Japanese U-boat in December 1941,
no longer contains any of the 3 million gallons of crude oil that was aboard when the tanker went down 6 miles off shore of Cambria.
Just the thought that a potential environmental 
catastrophe could occur, worked like a low grade
fever in the back of your mind. Getting
the news that it won't happen is a powerful relief.
Those of us who can find things to worry or fret about,
have only now allowed this one to sink in, so to speak,
and it is like a weight being removed. There was always
a "what if" in play and in the last couple of weeks
we've been able to put it out of mind.


SUNNY BITS
SOLAR DYNAMICS OBSERVATORY  
NOVEMBER 3 FLARE
Did you see the recent buzz about the cost of solar power?
Scientists say they are seeing evidence of Gordon Moore's law of computing beginning to happen in solar applications.
Moore's law postulated  the number of transistors on a circuit board doubles every two years and thus lowers
the cost of computing.  It's been true for 50 years
and now solar technology is experiencing increased
efficiency at lower production costs.



YIN AND YANG
Little brother Hemingway shares basket
with big brother Luke
Peace!
See you down the trail.

Monday, November 7, 2011

QUESTS, DRAONS AND THE ORCHID

JOURNEYS
REEL THOUGHTS
Peace & Heroes
THE WAY
Directed by son Emilio Estevez, father Martin Sheen
plays a father who fulfills his son's journey 
on the El camino de Santiago from France to Spain.
The Way is an earnest film that has some splendid
moments.  Sheen must recover the body of his son
who perished on the journey. He decides to complete
his son's quest but he starts the pilgrimage with a 
hardened heart.  The journey and those he meets
on the camino have an impact.
Estevez is a fine director.
FINDING JOE
The documentary explores ideas of Joseph Campbell extrapolated from his life long study of faith, myth, religion, belief and spiritual disciplines.  This 
piece examines the idea of the Heroes' journey-defined as separation, initiation and return. The image of the dragon is used liberally as those "shoulds and shouldn'ts" of behavor and other limits to the human spirit.
 Cleverly filmed sequences help elaborate the occasionally exquisite point being made.  Campbell is not so much found as he is explained.  
He is certainly a man who's words
lend themselves to profound place and explanation.
Campbell fans, or those who feel at home in the deep waters of mixing faiths and human behavior will find 
FINDING JOE of value.
DAY BOOK
The new orchid.




See you down the trail.

Saturday, November 5, 2011

THE WEEKENDER:) TAKE FIVE

THE CLASSIC
Dave Brubeck's TAKE FIVE took me out of a rock and
pop world into jazz back in high school.  I found a 
jazz station on the dial and was hooked, though my
buddies barely tolerated it on my car radio. 
I enjoyed being able to punch back and forth between say,
Satisfaction by the Stones and and Sidewinder by Lee Morgan. When they drove it was all Beatles, Stones,
Beach Boys, Dave Clark Five, etc.  That was fine
but jazz held a special allure.
As a school kid I worked in the downtown area of Indianapolis  as a "stringer" and gofer for the Indianapolis Times and as a board operator for a "fine music" FM station headquartered in an old hotel.  Well the jazz station was on the top floor of another hotel that I passed on my commute.  I'd stop by that hotel, buzz at the studio door and be ushered into warren of an album filled rooms. 
"Look around kid, see what you like." 
The DJ's were not like the
pop star jocks at the rock stations.  These guys were older, both black and white, musicians themselves and
somewhat tickled that a white middle class kid
was hooked on jazz.  
It all started when I first heard Brubeck's piano and Paul Desmond's sax.  
So the Weekender :) wants you to dig it.
See you down the trail.

Friday, November 4, 2011

THE NEW KID & THE NEW RAIN SEASON

HELLO HEMINGWAY
 The family has grown by one.  Our new rescue adoptee
has joined us.  Hemingway is a polydactyly-a six toed cat.
When you visit the Ernest Hemingway home in Key West
you'll likely see several six toed cats. I'd never seen
a polydactyly until we were there.  Cindy at the HART rescue center named this little cutie after his "cousins" in Key West.
 So now we have a socialization process to observe
as this rambunctious and high energy little guy
gets to know his older brother Luke and Nesta the 
old gal and reigning fussy Queen.
Here he makes his first journey outside. 
Look at those paws.

"Big" brother Luke naps as he watches over the little guy.
Dinner hour has gotten more complicated.

 Luke still maintains proprietary rights to making sure
the food tin is clean to his inspection standards.
THIS WILL LEAD TO GREENING
Almost a half an inch of rain over night, accompanied by  thunder which most people noticed, though some of us
snored through it.  We had a splash in October, but 
now we may get a couple of rains in the next week and
ranchers, farmers and gardeners are ready.
It cleared as the Friday Lunch Flash Mob assembled
below the castle, joined today by nearby steers.
The post rain views were pristine.

The old William Randolph Hearst storage buildings
played in the sun as well.


See you down the trail.