Light/Breezes

Light/Breezes
SUNRISE AT DEATH VALLEY-Photo by Tom Cochrun
Showing posts with label The Newsroom. Show all posts
Showing posts with label The Newsroom. Show all posts

Monday, December 8, 2014

CAT AND UMBRELLA-IS PRIVACY FREEDOM?-GOODBYE CHARLIE

THE CAT AND THE UMBRELLA
  An umbrella drying on the spa provides a perfect place for a Hemingway nap, interrupted by camera sounds.
  "Hmmm. You woke me up bub!"
  "Ahhh!  Big stretch and look at these polydactyl paws."
  "Looks like little sister Joy is curious." 


  "Hey, I was here first!"

  "Good, she's gone.  Now if Mr Camera would leave me alone I could get back to napping."

TIME WITH THE CITIZEN
   The complex detail and playing time will rule this film off  people's list, but it is a film citizens should see.  CITIZEN FOUR is a nearly two hour examination of leaker Edward Snowden's act of leaking the documents that alerted the world to the pervasive surveillance under which we live.
    Most probably have an attitude about Snowden and what he did, but it's my take that until you've looked very closely into this, as documentary maker Laura Poitras has done, you've made your judgement without benefit of intimate, revealing, complex and important detail.  CITIZEN FOUR is about detail and implication. My bias is journalism; information gathering, fact checking, analysis with opinion or judgement coming last.  
    Even with all I have read and studied, I was still undecided about Snowden- a patriot, hero, trader, goat, grandstander? I've been given a closer examination of the leaker, his motivation, the absolute lying by US Government  officials, the specifics of the surveillance, the handling of the story around the world, an ultra-pervasive British spying program and the relationship between Glenn Greenwald, the journalist who broke the story and Snowden. 
    It's still a confusing situation on which to draw a judgement. It is clear to me Snowden was a young idealist and perhaps even a bit naive in his actions.  Seeing him now in Russia, you see a changed man. He looks worn, fatigued and even beaten emotionally. He says he did the right thing, but I sense he didn't fully estimate the toll it would take.
    Did he do the right thing?  Paths diverge at this point.
Those whom this nation tasks with its protection, security and law enforcement face a more difficult and lethal challenge than civilians can begin to understand. It is a hostile world and information and intelligence is a tool and weapon. Technology has provided keys to amassing that information. But should all citizens be subjected to a loss of privacy in an effort to provide security.  As an analyst in the documentary says, privacy is freedom and liberty. Loosing any privacy is a loss of freedom.
     It is not as though a monolithic dictator or fascist regime is using the gathering of the data to their specific advantage, but it is only a step from having the data to that kind of reality.  
     Presently information is being collected and gathered by a variety of agencies and in numerous ways. Now, this is a muddled kind of security, but the lack of federal coordination and the inability federal agencies to communicate well and to cooperate is a hedge against the information's singular mis-use. Still, in my mind, that is no defense. The point is, we are all suffering from a loss of privacy. Some of it we give up willingly. Social networks and commercial organizations gather and collect lots of data. It is something else when the federal government lies to us about what they are doing and what they are doing with what they gather. It is quite more serious when they use the cover of national security. Politicians have used that cover before, for all of the wrong reasons.
     Some have said if you are doing nothing wrong, you have nothing to fear. That is faulty thinking and is tantamount to  permitting a stripping away of any expectation of privacy, your most intimate freedom. That thinking is a slippery slope.
     The public has a right to know almost everything. The safety of agents, troops and critical operations must be maintained and that by nature puts some information out of public view, but in our process of governance there should be congressional oversight and judicial review.  We have a right to know that we were being spied upon and that our government lied about it. Had it not been for Edward Snowden, all of this would have been academic if not non- existent.  Did he violate a law? Yes. Did he tell Americans that his government was also violating the law? Yes again. He also revealed how.
      Attend Citizen 4 with friends and you may disagree with what it means to you individually, but it raises the kind of issues a democratic republic needs to address in the 21st Century. It is a bit slow, even tedious, but freedom is worth all of that.
IN THE SURF






    
GOODBYE CHARLIE
     Charlie Skinner, president of ACN died with his boots on but I hate it. As the extraordinary HBO series The Newsroom comes now to the finale, Sam Waterston's expertly portrayed old hand news executive goes out in a rant and rage. The networks new owner, a tech company billionaire is imposing  his silly but all too real reliance on social networks to guide news content and well, old Charlie's heart just couldn't take it.  I was particularly fond of the Waterston character who's life and death could have been drawn from real case studies. That is the beauty and brilliance of Aaron Sorkin's drama-there's a whole lot of truth in that fiction.

See you down the trail.

Thursday, November 13, 2014

THE TROUBLE WITH NEWS


   Sunrise was too pretty to ignore. My admiration of it woke up that corner of the brain where vexing thoughts are caged, waiting to leap into a blank space. 
   One of the troubles with the news business is the derogatory but not inaccurate sobriquet for a style of news "If it bleeds it leads." To be clear that means if it is crime or disaster, tragedy, plane crash, wreck, fire, explosion, or etc. it's the first story of a newscast. Fortunately not all television news rooms operate by that ethos, but too many do. The more competitive the market, the more likely there's a station that follows that path.
   NIGHTCRAWLER starring Jake Gyllenhaal as a stringer (freelance) photographer is a well done examination of the pathology of that kind of news, as played out in Los Angeles.
    One of the brilliant elements of this film is the extraordinary visual treatment of Los Angeles at night. Oscar winning Cinematographer Robert Elswit offers a rich and stunning essay. Seeing his work, especially the open sequence, is worth the price of admission. 
    Director Dan Gilroy plumbs the exploitative, crass world of sensationalism that passes as a kind of tabloid television.  Rene Russo, who coincidentally is married to Gilroy, is marvelous as a desperate news director, once a beautiful young reporter now trying to hang on to a job at a low ranking station by spiking the ratings with overnight gore gathered by Gyllenhaal.  
     Gyllenhaal's character is a solitary whacko. I think of him as a slick cousin or even brother to Robert De Niro's Travis Bickle in Taxi Driver. Gyllenhaal's performance is incredible. As Jon Stewart joked he only blinked twice in 2 hours. Indeed Gyllenhaal's eyes and manic delivery are so riveting it'll give you the creeps.  It is a great character by which Gilroy can explore the senselessness of exploitative content and the tyranny of ratings.
     I know of situations where station reputations and staff integrity have been destroyed by this cheap and trashy management and style. Still, there are enough viewers who thrive on tabloid journalism that it exists.

PROFESSIONAL and/or Citizen Journalists
  How deeply should newsrooms go in utilizing or pandering to social media? The debate continues and the first episode of NEWSROOM, the excellent Aaron Sorkin HBO drama mines the issue set against the Boston Marathon bombing.  
   NEWSROOM is to journalism what WEST WING was to politics, only much better because it is more realistic, drawn from real critical judgements and experience. Plus the acting, writing and directing are all worthy of the multiple Emmys.  

BEEN THERE-DONE THAT
   As a television news director I guided an evolution of a traditional and historic news organization into digital news gathering, processing and dissemination.  We changed the technology on which we wrote, edited and the cameras we used to capture the pictures.  Our remote trucks changed from microwave to satellite. We changed our work flow from television only to television and Internet. We moved from thinking only about the big screen to feeding computers, pads, and phones. We changed our graphics, our presentation style and our pace. In changing how we worked, we also advanced the output and our approach to thinking about what is news and how we cover it.  
    I've been retired a few years now, but even back then we were starting to wrestle with blogging, the ethics and legality of using material from personal phones or on line chatter. Now Facebook, Twitter, Instagram and other micro blogging and social networking realities impinge on how a news shop operates. I'm not sure they've got it figured out, or properly.  But as my old friend and former broadcast journalist the Catalyst AKA Bruce Taylor cajoles me, don't worry about it. You can't do anything about anyway.  It's another generation's problem. Yea, probably so. But it makes great fodder for film, television or having a drink and bullshitting, or posting about.
     It may still wake me, but Bruce is right. It's someone else's job now.
DIVERSIONS
Late Afternoon
 Evening
Post Sunset
Neighbors
could have been the national bird
Heavy Weather on the way
Turning on the night lights
THROWBACK TO A GOOD DAY
    My late brother Jim, at the wheel and yours truly enjoying a day of golf in the late 70's or early 80's.  Dad was an extraordinary golfer, Jim and I not so much.  But we had fun.

      See you down the trail.

Monday, August 5, 2013

LIGHT FUN & THE NEWS BIZ

SORKIN'S GENIUS RUNS THE NEWSROOM
Courtesy HBO
     It's a subjective thing and thus, Aaron Sorkin's scripts in season two of HBO's THE NEWSROOM weave a brilliant faux reality that parodies, parses and probes what we know as "true reality," however vague and ephemeral that may be and gives us entertainment without peer.
     Last year he build a foundational understanding of the sliding iterations of broadcast journalism in modern America, against the back drop of journalistic iconography. This year he bores in, delivering core samples, albeit fiction, that examines how it is in the newsrooms of broadcast journalism. The fiction is virtually life like, and he delivers characters, drama and intrigue in story arcs that are painted in some of the most effective dialogue ever.
     The situational ethics are real and so are the characters. Yes, it's fiction, but after a life time in newsrooms I tell you unreservedly he nails it all. And brilliantly he holds a mirror to America where our political and journalistic mores are exposed, laid bare and in a way that will move you-to laughter, anger and even tears. And yes, the cast, everyone of them are up to walking and talking those brilliant words.
      If you haven't joined in this Newsroom fandom, make a point of starting with last year's season 1.  I'll best most of you will be like the rest of us-we can't wait until the next episode.  It's not Downton Abbey, but it is just as addictive. And it is about our age.

LIGHT FUN
     Jeff and Florence Pipes hosted a marvelous wine club dinner in the Pipestone Vineyards.  The candles and torches set against the gloaming created an enchanting mood. You can see more in a brief video below.
MUSICAL SHADOWS
 A pre sunset concert at Harmony Cellars provided a couple of interesting shadow moments.
Spend a gorgeous evening dinning in a vineyard
in about a minute and half-thanks to Pipestone Vineyards and my IPhone.
     See you down the trail.