THE TREATMENT OF WOMEN-A CHEF-ON THE WATERFRONT

PROTECTING WOMEN

    I come at this with the bias of being the father of two daughters, a man who loves his wife, mother and have always been comfortable in the company of women. 
   Equality is an either or thing for me-either we all are equal or it does not exist. One of my cherished trophies is the Good Guy award from the Women's Political Caucus.   NOW spoke to me at a time when they rebuffed other journalists, not because of my views, but because I was fair. 

   I'm angered by much of what I see with regards to women, their safety, their reputation and their individual freedom, threatened by actions in places like India and the US Congress. You all know the stories and the sound bites. It is criminal how some things are allowed. The insensitivity demonstrated by men, often in power is wrong and stupid.

A SUBTEXT TO AN IMPORTANT FILM

THE IMMIGRANT

     Marion Cotillard and Joaquin Phoenix brilliantly lead an excellent cast in portraying this story of Polish immigrant sisters trying to pursue their dream in 1921 American. What happens is awful, but all too real. The treatment and exploitation of women is powerfully told. Cotillard's character however shows a strength of character, faith and dignity despite what is thrown at her. Some of it is thrown by Phoenix who delivers a nuanced and complex character who creates a masterpiece of acting in a scene where he rages at himself as he attempts to explain how he could do what he did to someone he loved. But he did, and men still do, though at least laws have changed.

     My father's mother and her sisters came through Ellis Island with their mother in their journey from England to join their father and brothers in America. The memories of the crossing and their reception, several years before the time depicted in the film, never left these women, who were strong, educated and from a family of means. 

    Mary Elizabeth, in the center, was educated though in her life, widowed with my father as her dependent, she worked as a char woman, but remained every bit the prim and proper Englishwoman. She had more dignity and gravitas about her than most of the reactionary politicians or any of the misogynists who crawl across history.

    She was strong, as was my mother and her mother. The elders were survivors.  My mother was a depression survivor and bride of a WWII combat soldier. She was a career woman and heaven only knows how many ceilings she had to crash or abuses she had to suffer as she assumed management roles. When I reflect on what these women in my life accomplished, and see the graphic and gritty portrayal of The Immigrant, anger rises for those with attitudes that belong in the caveman past, or in modern ridicule, scorn, rejection or even jail. 

     The Immigrant also tells of the extraordinary challenge faced by any and all who came, or come, to America, looking for a better life. Strong film. Wrenching. A story with modern implication.

SERVING UP SOMETHING DELICIOUS

 CHEF

   Jon Favreau's film draws many ooohs and aahhs and tons of laughter as the director actor ties together a charming and delicious yarn that prompts audiences to applaud. It's a great romp across America as an estranged father connects with his darling young son and man do they eat well along the way!  Foodies will love it. Chef's and food industry pros will relate, music fans will boogie in their seats and you'll leave ready to whip up a feast of your own.

    Favreau, known as a big budget action film director puts Scarlett Johannson, Sofia Vergara, John Leguziamo, Robert Downey Jr, Dustin Hoffman, Oliver Platt and Bobby Cannavale, through a great script and adventure.  Gary Clark Jr plays a great kitchen personality and little Emjay Anthony is wonderful as the son. Leguziamo is particularly good in his supporting and sous chef role. This is an entertaining  ride on a food truck that will leave you feeling good and hungry.

BAY WATCHING

 Closing up shop

 Bringing a bouquet?

 Not today

 Close to the bay and with a view

 Tried and true

Not today too

    See you down the trail.

HER, HIM AND HIM AND THEM-THE WEEKENDER

JOEL,ETHAN AND SPIKE

a range of artistry

MEDITATIONS ON HER

    A well read, sophisticated, professional woman who is a friend said she wanted to walk out of this film, so I went in with guarded expectations, despite the critical acclaim.  I had the opposite reaction and understand why director Spike Jonez won the Golden Globe and why the film has been nominated for film of the year.

   HER pushes boundaries and is fresh and original in many ways. It is about a lot more than the curious storyline. Jonez's work is a marvelous study into the nature and life-cycle of relationships. It is a fascinating speculation on a likely outcome of our increasingly technological and communication driven culture. HER is a mirror to how we look and behave since we have become obsessed or addicted to our phones. It is a poignant reminder of how lonely we can become, even amidst a world seemingly bound together by the Internet. We see how we can be alone in our connectedness. It lampoons the intimate chats and sexual experiences of those who so engage via phone or computer.  It also raises some marvelous science fiction speculations about intuitive artificial intelligence and the rise of crowd sourcing and ponders a great what if.  

    Joaquin Phoenix is masterful in playing a heart broken, lonely citizen in an increasingly impersonal world where actual human contact is limited. And it was this prospect where Jonez engages in good sociology. 

    Amy Adams once again demonstrates her versatility.  And it seems no mystery why the Phoenix character fell in love with the voice of Samantha, his operating system.  Scarlett Johansson is seductive even without being seen. 

    The scenic design, cinematography and feel of the film emphasize how the brave new world can be a lonely place. This is a film that will seem foreign, distant and even contrived to some. But for others it seems to hit on several themes that will make you want to upgrade your own personal operating system.

A DOSE OF COEN

  The Coen brothers make films that you either enjoy or consider a waste of your time and money. I'm in the enjoy category, though in varying stages. Often I like the way they do the film-the actors, the shooting and editing, music direction, sense of vision-more than I like the story. Not that they don't spin imaginative stories, but I wonder about what if they tried to do cinema with a purpose, other than as a kind of grand gag, yarn, or put on. They entertain, they tell rich stories, but at the end of the day I often question if there was any "nutritional value?"  This is not to discredit their obvious talent, skill and mastery of the craft. And perhaps all we should expect is only an entertainment, well done.  But these guys are so good what if they did a film with soul, or a philosophic or political point or axe to grind? 
     In this comparison today, I think of how Jonez moved the goal line a bit. As good as Inside Llewyn Davis is, as nuanced, as musically rich, as well acted, it is at most the portrait of a fictional folk singer and a snap shot of the Village music scene on the cusp of Bob Dylan's arrival. Maybe there is an underlying examination of the tortured soul of a poet or a mash up on commercialism vs. artistry, but that is pretty thin.
    Oscar Issac is an incredible talent and discovery.  John Goodman, Justin Timberlake, Carey Mulligan, Pappi Corsicato, Garrett Hedlund and for that matter all of the supporting cast are superb. The music, under the supervision of T-Bone Burnett is worth the price of admission alone. The Coens are that way, they do all of the little and big things right and they deliver a film excellence. And they always give it that Coen twist, or a turn into darkness or despair, or depression though admittedly in entertaining ways.  
    I don't know that it will ever happen, but I'd like to see how the brothers could do with something in a different emotional timbre or with a story that means something.

    Don't you love neighborhood Italian restaurants with white table clothes and lace curtains?

AN ELEPHANT SEAL'S LIFE

   We are deep into birthing season in the Elephant Seal colony at Piedras Blancas, north of Cambria. Another 2-4 weeks of birthing and then mating season begins, just in time for Valentines day.

WATCH THE SAND TOSS AND HEAR THE SOUND

    See you down the trail.

THE WEEKENDER-VISUALS

VISUALIZING

     THE WEEKENDER provides a few minutes of visual diversion for your weekend enjoyment.

Lonely Tree

     This caught my eye as I drove past a parking lot where they kept a narrow wedge of grass tipped off by a lone palm.  How are decisions like that made?

SPEAKING OF DRIVING
Here's a five minute excursion into driving
in the Sierra. You can find more polished and refined
videos, but this gives you a sense of the extraordinary
and expansive views available on the eastern slope.
 In a puff of self aggrandizement you may wish to pay attention to the "score."

REEL NOTES

for real

ARGO
Ben Affleck directed a riveting and suspenseful film, borrowed from an historic moment of success by a CIA clandestine operation during the Iran Hostage Crisis.
ARGO is  superbly entertaining and leaves you with a sense of fulfillment and success.  The acting is great, all around.
The attention to historic detail, especially in the casting match up is also great. I suspect this film will do well at the box office.  It is also one of those rare moments when
a member of the Intelligence Community is singled out for a victory, and that happened only because Bill Clinton declassified the operation during his administration.
This is a thoroughly enjoyable film. Oh yea-the 
short roles of John Goodman and Alan Arkin are
worth the price of admission alone!  But there is 
so much good about this film!
THE MASTER
I've told a few friends this is not a great film-too long-plodding-the script is lacking, including a sense of direction,
BUT it is worth seeing because of the acting.  This is especially true of Joaquin Phoenix's performance.  It is masterful, full of nuance and a kind of internal contortion and pain that powers his every moment on the screen. It is one of the most brilliant acting performances I've seen.
Phillip Seymour Hoffman is extraordinarily competent in his role as science fiction writer who becomes a cult leader.
Amy Adams as the highly wired wife is good as is Laura Dern and so are all of the supporting cast.  It's a decent introspection into a cult though it is the acting that makes it a worthwhile view.
Phoenix especially is to be commended for his memorable work.
See something this weekend that moves you.
See you down the trail.