SEEING PAST THE FLACK

A LOST CAUSE
NO WINNERS

    This goes with fairy tales are not real and life does not leap from a script.

    Human endeavors are messy, imperfect, not simply explained but some refuse to so acknowledge. People prefer easy answers, crowd support, bumper stickers and social media trending to tell us what to think. All of this comes to a center in the talk and reality of Truth-that is Truth the film.

    If it is possible, lets find a point of centrality on this controversy. No one wins. It is about a screw up on top of a screw up and in a time of nasty politics and polarity.

    Right wing and or conservative bloggers and critics say the film is a failure because it's a defense of flawed CBS News investigative report. Liberals say it's a failure because it memorializes how CBS News failed to hold George Bush accountable for being a slacker and avoiding air national guard duty while already avoiding duty in Viet Nam. Self appointed moralists or journalistic ethicists have also weighed in. Some of these children unleashed their screeds and words of torment even before seeing the film. That informs us. 

    Another point of centrality. CBS doesn't like the film and won't advertise it. Dan Rather doesn't like the film, it is a low point in his life. George W. Bush fans don't like it because of what it relates about him. It's been criticized by both left and right.

     OK, maybe another point of centrality. The flap and furor over the plot line, the screw up, has eclipsed the merits of the film. The artistic endeavor, a movie with actors making an entertainment has been overshadowed by largely preconceived notions about the CBS story, Dan Rather, George W. Bush, the 2004 Presidential election, Mary Mapes and who knows what else. I think the film is a victim of prejudgements about the story and personalities and those judgements over look what is after all only a cinematic creative effort. 

      Bull shit to those who say this is trying to change history. Only historian's change history. History is the way it is memorialized and told. Generations of historians see things differently. Winners of wars see history differently than losers. Slave traders see it differently than slaves. Invading business and governments see it differently than invaded natives and cultures and etc. Oliver Stone who is a talented film maker may be the exception. Stone has convinced himself he can fabricate events and change history. Instead Stone is seen for the self aggrandizing bull shit peddler he can be. His films can be entertaining but Wall Street, JFK, Nixon, World Trade Center, Evita and others have not changed truth or rewritten history. They are just films, an artistic pursuit even if written or directed with animus or motivation. Films do not write history.

     Truth is a geyser of how passionately stitched are our politics and biases. This film is being blown over by the same ideological predators who prowled the republic in the time of Bush vs Kerry. We should release history to historians undertaking a study where facts rise to the surface.

     There is a fact at the heart of this film Truth. Before CBS reported that George W. Bush was avoiding his duty, other news organizations had reported the story. They did not however rely on documents which put the CBS effort under fire.  

     Now to the film; Cate Blanchett, Robert Redford, Topher Grace, Dennis Quaid, Elizabeth Moss, Bruce Greenwood, Stacy Keach, John Benjamin Hickey, Dermot Mulroney. These are not slackers. They are terrific and well cast. Blanchett is once again brilliant. Redford as Rather is quite a site and credible! (Redford could have been a great anchor) The film explores the emotional tangles of a team of journalists, how investigative reporting is done, the pressures that come down from management. It samples the stresses and moments of elation that those of us who have done investigative work know. This film also explores the devastation to lives. These characters are based on real people, to whom these events were life changing. The film shows this by way of outstanding acting and directing.

     The film also shows how the CBS report was flawed. Where and how the team erred. How they were tricked. How they got the story right, but screwed up in how they did it.  And this last point is what it seems no one wants to face.  

      We should remember, a million dollars was offered to anyone who could prove that George W. Bush did not avoid some of his air national guard duty when assigned from Texas to Alabama. All of these years later, no one has been able to prove he did his full duty and took all examinations. What irritates liberals is that no one can really make that point  now without someone citing the questionable documents error at CBS News. The truth of the matter gets dunked in the process of the media fire storm and hissy fits. The screw up.

     Those who say this is a defense of the CBS report don't understand reality. Careers were ended. Good people got sacked. You see that. It is the consequence of the errors they made and you see how the error was made. You see how CBS News reacted. These are glimpses into the process and the good guys become the bad guys because they screwed up. This is not Oliver Stone changing history. Mapes has not worked in journalism since. Dan Rather's illustrious career and rich history at CBS were dumped on a trash heap. This hurt. They were trying to tell a story, they made a mistake.

They got trashed. That is what the film tells.  

      There is a moment where Mapes is speaking to the special inquiry team that CBS hired to investigate the report. What she said was a truthful recitation of how and why she erred. It does not change the outcome. But it does add another wrinkle, another fold of truth.

      One should look closely at the "inquiry team" CBS management brought in to investigate. But that is for another day.

      And so back to why this film is so troubling. It demonstrates how messy and screwed up life can be and how good can be bad. That ain't easy for humans to abide. Especially in a fully loaded media world where everyone is on at high volume with their minds made up.

     25 or 50 years from now this film will be seen as a portal into a moment and void of the hype and bias will be appreciated as an artistic exploration of human frailty, well acted. Americans of all persuasions don't like films or morality tales without a happy ending. Sometimes Truth is bitter.

A PEACEFUL RETREAT

   A little finger pond, near where Santa Rosa Creek flows into the Pacific in Cambria, is a hidden get away for water birds.

   I thank them for sharing their peaceful setting with me.

   See you down the trail.

TRUTH IS? NEWS AND REALITY ARE?

 EPHEMERAL

     It's hard work trying to surface truth, facts and reality. It's tougher when spin, malice and political motivation are part of the landscape. The years I spent as an investigative reporter were brutal. There was never a way to turn it off.
     Now a couple of new films reprise two of the most celebrated and controversial investigations of recent. I plan to see both, but I'm familiar with the reality behind the cinema.
     Spotlight, which details the ordeal of the Boston Globe in breaking the Priest sexual abuse and cover up and Truth, the troubled CBS News investigation of George W. Bush's special treatment as a slacker and no show in his air national guard duty, will give viewers a glimpse into the imperfect world of ferreting truth, or at least getting enough information to make the truth self evident.
     When media seems as devoted to Face book, Twitter and popular culture as it is to hard news, significant stories or investigations, it may be helpful these films open the door on what real journalism involves.
     Dan Rather wrote this weekend he's not happy that a low point in his career is the subject of a film, played by no less than Robert Redford. Though the report was flawed by fraudulent documents, the Truth remained the same. It took a toll on Rather. The members of the Boston Globe team also endured emotional trauma, for simply trying to tell the truth.
     Truth and honest facts can be dangerous. We live in an age when billions are spent to avert our gaze from the truth. Those who seek the facts and try to root out truth, remain my heroes.

MORE TRUTH

     Barry Goldwater, the 1964 Republican Presidential Candidate is in the pantheon of American Conservatives. There was a time when it was inconceivable you could get more far right than Goldwater. Those who knew or covered Goldwater may have questioned his policies, but everyone respected him for saying it like it was.
     The following graphic is making its way around Twitter.

    Well, on the other hand there have been countless Christians, even church leaders, who have been open minded and facile. Reinhold Niebuhr, Andrew Young, William Hudnut, John Danforth, Benjamin Hooks, Robert Drinan, (President) James Garfield, John Bull, John Witherspoon, Dean Johnson, Walter Mueller were all Christrian pastors or leaders and were capable of compromise and negotiation. Goldwater was right about the Christian Evangelical right.  It is worrisome to traditional, moderate, centrist or even "old fashioned conservative" Republicans. Does the word zealot fit?

LIBERTY AND JUSTICE

  There is a variation in the personality of this character amidst all of the Scarecrows on display this month all over Cambria.
    This may scare in a different way.

      Lana created a take on the Statue of Liberty and if you were able to look closely you would see it is made from pages of a Bible. For the record, it was an old Bible, from childhood and the binding was ruined. Here it is recycled as a statement that some Christian quarters are more open minded and loving than those Mr. Goldwater worried about.

      In the eye of the beholder, eh?

 PREENING

 Hemingway being fastidious.

Count the toes.  

Six on each paw

    See you down the trail  

THE WEEKENDER-THE BEST AND THE WAY WE WERE

AS FRESH AS IT GETS

     The spring growing season has been good up here on the Pine ridge.  Our upper raised bed, on the back hill,  has yielded an abundance of great lettuce. 

      We call this upper raised bed "Indiana," because it is flat, tillable and produces well. I know the same can be said for the central valley, but we are paying tribute to some of our great gardens in years past.

FLYING ULTRA FIRST CLASS

   The Weekender Video was spotted by Beverly.  You've got to see this to believe it.

REEL NOTES

    THE COMPANY YOU KEEP

    If you were politically active, motivated or interested during the turbulent 70's, Robert Redford's THE COMPANY YOU KEEP, will register with you and may even ring a few bells.

    A former Weather Underground activist goes off the grid as a reporter pursues a story, the dimension of which he does not understand.  It is a superb reprise of the dilemma, how far do you go to stop a government that is doing wrong? That question ripped the peace movement, mobilized to stop the war in Viet Nam, when more radical elements amped up the fight to include bombings and violence.

    Susan Sarandon's monologue, shortly after she is arrested for an old crime, is a brilliant restatement of just that. You may wonder if much has changed at all?

    A thrilling intrigue, the film is smart, some of the dialogue plays back like history and is star laden. Robert Redford acts and directs. Great performance from Shia LaBeouf and superb smaller role performances from Chris Cooper, Terrence Howard, Stanley Tucci, Richard Jenkins, Sam Elliot, Julie Christie, Nick Nolte, Brendan Gleeson and Sarandon. 

    I took a personal interest in the side bar story of the role of the reporter. Back in the day I was assigned to cover the anti war movement which included New Mobe, Student Non Violent Coordinating Committee, SDS, Draft Resistance, the Black Panthers and more. Some of the questions and emotions Redford surfaces are flashbacks for some of us, and just old history to younger viewers.
    It came as an odd reminder that bombings in that era were done by Americans angry at the Viet Nam war. Deadly, disruptive and dangerous though they were, they seemed less sinister than those by modern terrorists. But America in the 60's and 70's was a vastly different place than America today. Redford draws that in a stoic way. It's a film that will make you think.

    See you down the trail.