Questions---Aliens---The Answer

    Wild mustard has painted the California central coast this spring.

     The pastoral settings are a "safe zone" to contemplate the profound most recent film from Paul Schrader, First Reformed.

      The veteran writer/director (written 24/directed 23) has given Martin Scorsese some of his best scripts and has directed films that carry impact; Taxi Driver, Raging Bull, Last Temptation of Christ, American Gigolo, Light Sleeper, The Canyons, Mishima:Life in Four Chapters, Rolling Thunder, Affliction, Dying by the Light, City Hall, Cat People and others. 

     In First Reformed Schrader wrestles with climate change, responsibility and theology. Yea, that's a heavy agenda, but he turns in a story that fully engages mind and heart.

     Ethan Hawke's portrayal is superb and as a minister he asks a question of our age-can we be forgiven for what we have done to this planet? For those who do not hew to a faith or spiritual cleave in how you regard life, the question can be reduced to what does it say about our intelligence and our regard for life. Atheist, agnostic or person of faith the question and the drama that carries it in First Reformed is valid and viable. 

      A character discusses his unborn child and recites likely environmental conditions on her 30th birthday. 
     "Will she look me in the eyes someday and ask, did you know this was coming? Did you know this would happen?"

     Schrader has a career of brilliant, penetrating, probing and unforgettable work. This is no less. For those who take theology, philosophy or faith seriously, you will marvel at the dialogue and the juxtaposition of individual responsibility and matters of action and belief. The ending is a mind blower and will likely be taught in film schools.

answers follow below

but first, the aliens are back

   The most recent San Luis Obispo Succulent and Cactus show offered more dazzling specimens and I wonder again what planet are they from? 

the answer is

the cool pool

   Yes, as you surmised the answer to the question in the previous post is a swimming pool changing hues.

   See you down the trail.

A LETTER TO MARTIN SCORSESE & LEONARDO DICAPRIO & SHINE THOSE BOTTOMS

STRETCHING THE BOUNDARIES

OF ECLECTIC 

AND FILM

Wherein this post searches for a center of gravity

WOLF OF WALL STREET

     Dear Mr.'s Scorsese and DiCaprio,

          I've read a wide array of the reviews and articles and have seen you both interviewed. Since the 1970's I have broadcast and published my admiration and respect for your movie making and story telling genius Mr. Scorsese. Many of your films are among my all time favorites.  Mr. DiCaprio I have been impressed by your acting since the days of Gilbert Grape. Still, I have been arguing with myself since seeing WOLF OF WALL STREET.  

          I'm still not sure if I think it is a brilliant lampoon of money hustlers told as a dark comedy, high slapstick, a political lancing of some of the noveau 1%, an indictment of the morality, or lack there of, of Wall Street, a contact high, a celebration of libido, history, the highest use rate of the F-Bomb in film history, a precise portrayal of a cretin, a religious affirmation of the evil of greed, a remake of ("...greed is good...) WALL STREET on steroids and a lot more cocaine, a disgusting exploitation film, your joke on everybody else (can you believe we are getting rich on making this kind of film?) or all of the above or some combination there of.
        Clearly you left your mark.  I'm still trying to approximate some judgement on this 3 hour romp.  For sure you immerse your viewers into the maelstrom of Jordan Belfort's rise and high life style. You seemed to recreate the sales room, lavish parties, drug use, sex, opulence and mindless and pointless lifestyle with your directorial and acting brilliance.  You got terrific supporting roles Jonah Hill, Rob Reiner, Kyle Chandler, Margo Robbie, and others. Matthew McConaughey's chest pounding chant cameo is one of those scenes you'll never forget. Robbie Robertson's musical supervision was brilliant.
      I guess I'm inclined to think that what you've made is a multi-million dollar cartoon.  You were able to reduce a time, place, ethos and personalities to big screen tragic-comedy cartoons.  Leo, your lude induced crawling scenes made buffoons and jack asses of anyone ever so loaded, or anyone who would desire to be so loaded.  
     Gentlemen you have created a cinema work that will, as you know, especially you Martin with your love for film history, live for decades.  I guess you have provided 22nd Century sociologists a core sample of western decadence, worship of money and hedonism that no historian could do so graphically.  
      I'm still wondering though about the older woman who wandered into the theatre a little more than half way through.  My guess is she was "theater hopping" joining a film in progress after the movie she paid for had ended.  She came in slowly, not looking at the screen so as to amble to a seat in the row in front of us.  She sat down at the moment that cocaine was being snorted off the buttocks of a young woman while the f-bomb was offered up and carnal athletics ensued.  She was up and out of her seat much more rapidly than she wandered in.  Would love to have been able to read her thoughts.  Her action drew a few snickers from those of us who by now had become somewhat sated and even bored by the outrage and sexuality.  And on that reflection I realized that you Mr. Scorsese had accomplished a great deal.  Your three hour assault so deadened our senses to such excess that we sort of expected it, even accepted it as normal behavior, of those whom we watched. Touche'!
    Did we laugh, yes.  Was it comedic, yes. Was it wretched excess, yes indeed. Did we get it, yes. Does it say something about the quality of life and even morality, yes. But I bet that while some of us will give this thought, contemplation, look for morality or signs of political statement, see it as brilliant comedy, there are other's, future Jordon Belforts or Gordon Gekkos, for whom you have raised the bar.
    And finally Mr. Scorsese you have pounded Oliver Stone. His crafting of WALL STREET, good as it is, was not nearly as immersive as WOLF OF WALL STREET, cartoon and morality tale in one.  BTW, how many times was the F-bomb used?
    

AND NOW FROM THE PROFANE TO

DOWN HOME

    After dinner last evening and while cleaning up, Lana said to me she wanted to try something to clean the bottom of a Revere Ware pan.  She said she had heard about a combination of salt and lemon juice.  Our original Revere ware pans are dated to the beginning of our marriage. 

Here, is what ensued.

     By the way, I scrubbed as well.

     See you down the trail.

DECEMBER IN WINE COUNTRY & HUGO

A QUIET REST

An odd and even difficult year for

the Paso Robles appellation is nearing an end.

A late frost and bad weather conditions

has generally lowered the yield of

wine growers, but most say

the quality of the fruit and eventually

the wine will be very good.

But for now the vineyards offer

scenes of quiet, color and a meditative peace.

 Wine pick ups offer the beginning of seasonal feasts.

 A sunny afternoon and the honey display at 

Pipestone, made me feel like a kid.

 A noisy goose and quiet duck-

an animal variation of sweet and sour.  
No menu options intended!

Even vines deserve a rest.

REEL THOUGHTS

HUGO

We loved it from the first frame.  Full disclosure here-

I'm a Martin Scorsese fan.  Still this is a masterful work and in 3D-his first use of the tools.  It's a wonderful
story, perfect for the Christmas season and a very
old fashioned film in the best sense.
Ben Kingsley, Sacha Baron Cohen, Asa Butterfield as 
Hugo and Chloe Grace Mortez as his friend are all
superb. The visual look and texture is pure magic, and
enhanced by the 3D optics.  But there is even more
to this Scorsese cinema art, and it is a tribute to
film itself.  Without giving away too much,
there is a brilliant celebration of the films
of George Melies, an early and experimental French film maker.  For that that element of the film alone
Scorcese deserves the gratitude of all film fans everywhere.
It is marvelous and enchanting. Brian Selznick's book gave Scorsese a chance to go where he has never gone before as a film maker, and we are the beneficiaries. 
Want to enjoy a film like you did when younger
and less world wise?  This is the ticket.

See you down the trail.