Light/Breezes

Light/Breezes
SUNRISE AT DEATH VALLEY-Photo by Tom Cochrun
Showing posts with label Indiana University. Show all posts
Showing posts with label Indiana University. Show all posts

Thursday, September 7, 2017

DREAMERS and SEEING HISTORY, HONESTLY



    The "Dreamers" are Americans.
    I heard a young would be nursing student talking about the 15 years he had spent in the US, becoming as "Americanized" as anyone else and now he and 800 thousand others are targeted. It is not only wrong, it is stupid!
     Donald Trump has lied again and while that is no surprise the scope of the reaction of Americans and certainly American business is. Almost everyone knows the idea of ending "the dream" is a repulsive violation of what we think and believe.
     Perhaps the opposition of business and industry and the law suits by states and others will help keep the dream alive.

GETTING PERSPECTIVE
Courtesy of Indiana Historical Society and Indiana University

(This is a repeat of a post first published September 15, 2014. The complaint and issue has again been raised)

     To quote Ed Murrow "this just might do nobody any good." To paraphrase his 1958 speech to the Radio TV News Directors Association (RTNDA), at the end of this a few people may misunderstand what I'm saying, but here I go.
      We need to find a balance point where those who wish to address and treat sins of the past do not also destroy history or use deconstructionism without restraint and/or the balance of intellectual buffers.
      A case in point-The Thomas Hart Benton mural.
Controversial when it was created in the 1930's it is said to make people uncomfortable now. Why?  The depiction of the KKK. An honest appraisal of Indiana history cannot ignore the Klan. 
       If you are disturbed by the Klan portrayal consider proportion and perspective. The hooded terrorists are counter weighted by a white nurse attending to an African American child. More visual counter punch is the left anchor of the Benton panel composed of the press, an editor/writer and reporter that challenged and broke the Klan's extraordinary control of Indiana politics and the 1920's Republican party.  
      The media's battle with the Klan is iconic. Pulitzer awards have been given. I was awarded a National Emmy for my investigative documentary of the modern Klan in America. I've been an enemy of discrimination and prejudice, including racism, sexism, ageism and other manifestations of bias. My body of work is deep in reporting on these issues.
      We should find a way to be aware of sensitivities without trying to edit the past. The mural is not, as some have said, a glorification of the Klan, rather it is a depiction of fact. Reality, regardless of pain or absurdity cannot or should not be retrospectively edited or worse, deleted. Knowledge dictates that we recognize historic truths.
     History appreciates with understanding and by sifting nuance and seeing things in context through an honest assessment.  Later we may come to advanced understandings, gain insight, change our minds, learn, discover information and evolve, but the ground from which we and knowledge derive is historic fact. What we see and call history must be understood not only in the context of our time-but in the framework of what people knew and did in their own time. 
     As a high school kid I spent time in the city room of the Indianapolis Times. A giant replica of the front page announcing the Times winning a Pulitzer for their investigation of the Klan adorned a wall. It made a huge impression. When I took the stage in New York to accept the national Emmy for my own investigation I stepped into a slip stream of iconic history. The Benton art tells part of that story. 
    Though you may think the behavior is offensive, the painting itself of klansmen and the burning cross should not be regarded as offensive in intent  but rather as part of that stream of history. In the painting the Klan is seen as small, yet the nurse doing good service and the press loom more significant and impressive.  And if you look carefully you will see the klansmen are dominated and overridden by circus performers. There was a time when most circus acts wintered in Indiana. I think Benton was expressing a bit of poetic contempt and mockery by that juxtaposition.  
     No the Benton mural is not offensive, and those who think it is are simply wrong. It is history and should be taught and respected as such. And as I study it again I am reminded there must always have been those who like to ignore or even forget as well as those who may be rightfully upset with our past, who would like to expunge it. We can not help but analyze by virtue of what we know, but we must keep in mind that we are only as effective as we are fully and historically informed. 
       We cannot change the past.

Protection


    See you down the trail

Monday, September 15, 2014

WE CAN'T CHANGE THE PAST---STILL CONTROVERSIAL

GETTING PERSPECTIVE
Courtesy of Indiana Historical Society and Indiana University
     To quote Ed Murrow "this just might do nobody any good." To paraphrase his 1958 speech to the Radio TV News Directors Association (RTNDA), at the end of this a few people may misunderstand what I'm saying, but here I go.
      We need to find a balance point where those who wish to address and treat sins of the past do not also destroy history or use deconstructionism without restraint and/or the balance of intellectual buffers.
      A case in point-The Thomas Hart Benton mural.
Controversial when it was created in the 1930's it is said to make people uncomfortable now. Why?  The depiction of the KKK. An honest appraisal of Indiana history cannot ignore the Klan. 
       If you are disturbed by the Klan portrayal consider proportion and perspective. The hooded terrorists are counter weighted by a white nurse attending to an African American child. More visual counter punch is the left anchor of the Benton panel composed of the press, an editor/writer and reporter that challenged and broke the Klan's extraordinary control of Indiana politics and the 1920's Republican party.  
      The media's battle with the Klan is iconic. Pulitzer awards have been given. I was awarded a National Emmy for my investigative documentary of the modern Klan in America. I've been an enemy of discrimination and prejudice, including racism, sexism, ageism and other manifestations of bias. My body of work is deep in reporting on these issues.
      We should find a way to be aware of sensitivities without trying to edit the past. The mural is not, as some have said, a glorification of the Klan, rather it is a depiction of fact. Reality, regardless of pain or absurdity cannot or should not be retrospectively edited or worse, deleted. Knowledge dictates that we recognize historic truths.
     History appreciates with understanding and by sifting nuance and seeing things in context through an honest assessment.  Later we may come to advanced understandings, gain insight, change our minds, learn, discover information and evolve, but the ground from which we and knowledge derive is historic fact. What we see and call history must be understood not only in the context of our time-but in the framework of what people knew and did in their own time. 
     As a high school kid I spent time in the city room of the Indianapolis Times. A giant replica of the front page announcing the Times winning a Pulitzer for their investigation of the Klan adorned a wall. It made a huge impression. When I took the stage in New York to accept the national Emmy for my own investigation I stepped into a slip stream of iconic history. The Benton art tells part of that story. 
    Though you may think the behavior is offensive, the painting itself of klansmen and the burning cross should not be regarded as offensive in intent  but rather as part of that stream of history. In the painting the Klan is seen as small, yet the nurse doing good service and the press loom more significant and impressive.  And if you look carefully you will see the klansmen are dominated and overridden by circus performers. There was a time when most circus acts wintered in Indiana. I think Benton was expressing a bit of poetic contempt and mockery by that juxtaposition.  
     No the Benton mural is not offensive, and those who think it is are simply wrong. It is history and should be taught and respected as such. And as I study it again I am reminded there must always have been those who like to ignore or even forget as well as those who may be rightfully upset with our past, who would like to expunge it. We can not help but analyze by virtue of what we know, but we must keep in mind that we are only as effective as we are fully and historically informed. 
       We cannot change the past.
PROJECTS
a time of season
   A bath modernization is underway and so….
  the master bedroom is a staging area-complete with new appointments
  while the deck is a work and storage area.
  For a curious guy, watching the craftsmen has been a fascination.
  Lana's recent kitchen project-a less enduring output.
  While I'm going to war with gophers.  Is it ok to call them bastards?!

  Despite the noise of tile saws or hammering, or my grumbling about gophers, Hemingway's project is to emulate Garfield.
   I think he's got it all figured out.

   See you down the trail.

Friday, December 21, 2012

THE WEEKENDER-A GIFT

BEYOND CAROLS
     A couple of weeks ago I posted a video with Dan and Phil Ponce, a couple of Chicago news casters who are also extraordinarily talented musicians and singers.  Dan was one of the founders of Straight No Chaser an a Capella group formed at Indiana University that is now a hot ticket.
       As fate would have it, several of you have sent me videos of the group, so I am "re gifting."  Most of you are no doubt aware of them, but for those of you who are not-
Enjoy.  Here's an early gift.

AND AN EARLY VERSION OF THEIR FAMOUS RENDITION

DAVID HANGS IT UP
     An era came to a sad but noble end today. I think of it as a ghost of Christmas future.  
     A tennis partner quietly announced at the net as we were shaking hands at the conclusion of a match, that he would no longer be playing. David said he could not trust his balance anymore and he didn't want to take another fall, as he has twice this year.  David is an octogenarian.
     I didn't play tennis until we moved to Cambria.  My court sport in Indiana was basketball, but wanting to stay in shape I began as a late aged neophyte on the tennis court. It took months of some awful play before I was worthy of joining into a foursome.  David, Phil and Janos were the first group to ask me to sub from time to time.  They were also the first group to ask me to join as a permanent player.
     I play three days a week in three different foursomes now, but the Friday morning 9AM foursome on Court 1 was the "mother's milk" of my tennis play.  David, Phil and Janos allowed me to learn and grow and they are a delightful group of guys. After our play, we always end up at Lilly's coffee deck for wide ranging conversations and a good dose of friendship.
      David and I were often partners and there would be times he wore a frustration at what had departed his game. But there were also those times when his wicked cross court shot, or a hard hit liner would do the job and was evidence of a man who had great game.  He particularly enjoyed, as I did as well, when we would rally back from being down and win the match. We both would leave the court with more spring in our step.  He remained a competitor though he knew his days of being an excellent player were history. He loved the game and he continued to play.  
     David was also the picture of a gentlemen competitor at all times.  He evinced a great sportsmanship and integrity.  He is also a true gentlemen in every other regard.  A class act if ever there was one.  As well traveled as anyone I've met, even among other globe trotting journalists, David is a great joy in social settings.  We hope he will continue to join us for our post match coffee.
      Our buddy Phil has been on medical leave of recent, though his love for the game is pushing him to get back on the court as well.  In my few years of play I have come to know that love of the game and can understand how tough it must be to hang it up.  David will now take up lawn bowling, of which there is a tough league in Cambria.  And he may join the ping pong matches.
      I am indebted to Janos, Phil and David.  I will miss David's enthusiastic narratives and droll humor as we play. And I hope at some distant match, holiday season or other wise, I can leave the game with the same class and gentlemanly style as David.
      And for the record David's quick returns and well aimed shots earned us several points today.
      See you down the trail.
     

Wednesday, December 19, 2012

IRONY OF ICONS

ICONS
     Paul McCartney playing with Nirvana may have been the  cosmic rift that some have attributed to the Mayans.
      First at the Sandy benefit international broadcast, 12/12/12 and then again on Saturday Night Live (SNL), McCartney assumed the late Kurt Cobain's role. That is not something we saw coming, nor would ever expect.
        By virtue of his "Beatledom," McCartney is probably the reigning star in the Rock realm.  Some ascribe such cultural and musical shaping influence to the Beatles they belong in Darwin's theory of evolution.  Of course most of that is true.  And Paul is a superb player, in addition to writer, composer, arranger, producer and by most accounts a grand fellow.  He certainly held his own, and in a way was saying, I maybe the grand old man and the master of pop and ballads and lyrics, but I can still kick out the jam.  Still
McCartney with Nirvana was just plain weird!

THE LEGEND MAKERS
     One more item of Iconography.  One of the greatest sports legends, because it is true, is the "Goliath killer" Butler Bull Dogs.  
       The small Indianapolis north side University thrilled NCAA fans a couple of years ago with back to back national championship runs, ending up as runner up two years in a row.  Over the weekend the "Dawgs" worked their way into the nation's top 25 again by knocking off the nation's number 1 powerhouse, neighboring Indiana University.
       The IU Hoosiers lay claim to 5 national championships and 8 final four appearances.  To some, IU under Bob Knight, UCLA under John Wooden and Duke under Coach K are the epitome of college basketball powerhouses.
      Well,...way back, in my kid hood, we remember the great and historic Butler teams under the legendary Tony Hinkle.  Always a small school, but with a brand of basketball that cast a national shadow.  
      Under former coach, now athletic director Barry Collier and coach Brad Stevens, Butler has become the favorite little guy. Their intelligence, determination and toughness remind millions of how basketball excellence can look.  
      If you saw the classic movie Hoosiers written by Angel Pizzo, you may be inclined to say the real Hoosiers in Indiana-the little guys who knock off the big boys, are the Bull Dogs!  Great stuff.
Day File
at the coast



  See you down the trail.